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Couldn’t Helen Fielding or the screenwriters have found a more plausible way to bring him back into Bridget’s life? Television presenter must be the most sought after job in the country besides pop star – even the bland, annoying ones who make you want to switch channels have put in years of work to get where they are (or at least they’ve been on Big Brother!) – but Cleaver’s gone from a desk job to presenting a hit holiday programme in a matter of weeks. Let’s start with Daniel Cleaver’s career change. When Bridget Jones: The Edge Of Reason tries to play scenes as straight drama, it’s difficult to care since the plot suffers from a severe lack of credibility.
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I did laugh at a scene where Bridget and a bitchy aquaintance try to one-up each other and a running score appears onscreen and another where Bridget’s knowledge of TV trivia makes her a match for a stuffy lawyers’ quiz team but mostly the movie’s tone alternates uncomfortably between romantic soap opera and silly farce. Adding to the sense of deja vu, popular scenes from the first film are replayed – Bridget’s arse once again becomes the centre of a TV spot, her big pants make an appearance and Darcy and Cleaver have another public slap fight – only this time they aren’t as funny. It more or less repeats the same basic plot, with Darcy and Cleaver again vying for Bridget’s affections and proving themselves again to be either a white knight or a git. Though it was second hand, the story was satisfying. Its predecessor’s storyline was loosely based on Pride And Prejudice, with Fielding’s Mark Darcy basically fulfilling the same function as Jane Austen’s Mr Darcy. Now here’s the sequel, based on Fielding’s own literary follow-up, Bridget Jones: The Edge Of Reason and this time the transition to film hasn’t been as smooth. It was a good movie, with some big laughs and strong performances by Renée Zellweger and Hugh Grant, although those of us who hadn’t read the book wondered at the time what all the fuss was about. The first time around, the screenwriters, including Fielding herself and Richard Curtis, tackled the original Diary by turning it into a rom com from the same mould as Curtis’s previous hits, Four Weddings And A Funeral and Notting Hill. The Bridget Jones books, which are written in diary form, get their appeal not from the plot, which is almost incidental, but from Fielding’s comic writing, from her observations of everyday life seen through the eyes of an imperfect modern woman. Helen Fielding’s hugely successful Bridget Jones novels may seem at first glance to be ideal for film adaptation but movies based on books usually work best when the source novel has a strong, transferable story, which is why Michael Crichton and Tom Clancy have been so popular in Hollywood. Daniel Cleaver, her former boss and faithless ex-lover is now a fellow TV presenter for Bridget’s production company and he wants to get back into her granny pants. If there weren’t enough problems at home, an unwanted face from her past re-appears at work. She grows jealous of Rebecca (Jacinda Barrett), Mark’s beautiful work colleague who seems to be paying him a lot of attention. She feels out of place at the social events they attend. Bridget loves Mark but she can’t quite believe a handsome, high-flying lawyer could be happy with a slightly chubby scatterbrain as a girlfriend. Her perfect relationship becomes threatened by her lack of self-esteem. Of course, a happy couple mooning over each other doesn’t make for a very eventful film so clouds soon gather in Bridget’s blue sky. She gazes at him while he sleeps, proudly records in her diary how many times they’ve shagged and tells anyone who’ll listen that her boyfriend is a human rights lawyer (to which someone really ought to reply, “Great, so is Cherie Blair”).
#Bridget jones edge of reason plot movie#
Bridget is dating Mark Darcy (Colin Firth), the good-hearted lawyer who gradually won her over in the original movie from the charming but caddish Daniel Cleaver (Hugh Grant). Sure, the navel-gazing TV reporter, played once again by Renée Zellweger, is still struggling with her weight, smoking and drinking like a sailor and frequently making a fool of herself in public but, to her great relief and satisfaction, she is no longer a “singleton”. It’s been a month since the last entry in Bridget Jones’ Diary and her life has finally changed for the better.
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Renée Zellweger once again stars, with Colin Firth and Hugh Grant also returning as her romantic interests.
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Bridget’s back with another diary full of weight-watching, man trouble and thirtysomething female angst, adapted from Helen Fielding’s best-selling novel.